Let’s Explore 2½D Plywood Engraving

Covering the process of translating an existing piece of artwork into a multilayered laser engraving.

I drew this image a year or so ago while daydreaming about a spaceship made of a junkyard tilt-a-whirl bucket, take-off appliance doors, trash cans, old road signs, and various urban debris.  Of course, the critical functional component was an inertial damping field created with an alien-inspired but homemade circuit board, an Apple ][, and a swiped car battery.

The style of the drawing was intended to ape a woodcut. In this project I’ve set out to translate it to an engraving as a means of learning the ins-and-outs of the new tool in my kit: a laser cutter and engraver.

These pictures show the progression of my results. The leftmost version represents my naïve first attempt. Click to enlarge and read more about each version.

Adapting the Artwork

There are plenty of ways to change the results of a laser engraving through the controls of the laser itself, but I prefer to make changes to the artwork directly instead of fiddling with power and speed settings at the laser because it’s easier for me to make subtle, consistent changes using that software.

I brightened the image generally and reduced the contrast, but the linework, chrome elements, and a few shadows I left nice and dark.

To engrave the ship across multiple pieces, I traced cutlines and separated the artwork for each layer. I removed the linework in the drawing that coincides with the cutlines to get cleaner edges on the cut parts. There were a few details (like the the handle on the garbage) can I worked manually with the eraser tool to make them clearer and cleaner in the final engraving.

Here you can see the parts loosely arranged for cutting and engraving. Each outline is a different color to make it possible to rearrange them and do operations on them separately in the laser software.
Details of the “final” version.

Naturally, there are always things I’ll continue to improve in future iterations. A gap has crept in between the wheel and the banner, and I’d like to work a little more detail into the bulbs around the perimeter.

Despite these flaws, this is the version I’ll be hanging on my wall. Then maybe I’ll watch the first three-quarters of The Explorers again.

Published by Frankie Winters

I'm a Designer, Maker, and Developer in Portland, Oregon. I have two little girls and keep a meticulously organized garage.